Alto
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J. S. Bach: St. John Passion
John Mark Ainsley (tenor), Stephen Richardson (bass), Catherine Bott (soprano), Michael Chance (countertenor), Stephen Varcoe (baritone), King's College Cambridge Choir, Brandenburg Consort, Stephen Cleobury (organ), Roy Goodman
“fine contributions especially from Stephen Varcoe, and an exceptionally immediate and affecting ‘Es ist vollbracht’ from Michael Chance.” —
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The Haydn is wonderful: mercurial, sharply intelligent, brim-full of energy. However the Mozart is a bit staid, while the Brahms outer movements are surely too fast. A very mixed bag. —
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Lehár: Die Lustige Witwe
Elisabeth Schwarzkopf, Emmy Loose, Anton Niessner, Erich Kunz, Nicolai Geda, Otakar Kraus
[Schwarzkopf] is a magnificently silvery Hannah with the Philharmonic Orchestra and conductor Otto Ackermann, even if her Danilo, Eric Kunz, is dull. —
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Brendel's thoughtful approach to the Fantasie is underpinned by his huge technical resources. The result is unforgettable listening; and the impulsive and wide-ranging Etudes symphoniques are... —
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Elisabeth Schwarzkopf Sings Strauss & Mozart
Four Last Songs and Opera Arias
Elisabeth Schwarzkopf (soprano)
Philharmonia Orchestra, Orchestra of RAI, Turin, Herbert von Karajan, John Pritchard, Mario Rossi, Otto Ackermann
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