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Using a 'tangent' piano - a short-lived hybrid of harpsichord and piano - for the pieces by Wilms and Schmitt, Arthur Schoonderwoerd plays with just the right amount of expressive freedom throughout.... —
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Frescobaldi: Canzoni
Les Basses Réunies (violone, basse de violon, tenor violins, cornett, harpsichord, claviorganum, theorbo, harp)
Bruno Cocset
Strummed, plucked bowed or blown - the notes unfailingly enchant, enveloping the listener in a penumbra of subtle textures. Frescobaldi's experiments with non-keyboard instruments have seldom... —
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Kapsberger: La Villanella
Johannette Zomer (soprano), Pino de Vittorio (tenor), Hans-Jörg Mammel (tenor)
L'Arpeggiata, Christina Pluhar
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Daniel Brel - Quatre chemins de mélancolie
(Four paths of melancholy)
Le Poème Harmonique: Daniel Brel (bandoneon & composition), Kaori Uemura (treble viol), Sylvia Abramowicz, Isabelle Saint-Yves, Martin Bauer (bass viols), Vincent Dumestre (theorbo & direction)
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J S Bach - Fantasia Cromatica, sonates & transcriptions
Yves Rechsteiner (harpsichord & pedal board)
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Estienne Moulinié - L'Humaine Comédie
Le Poème Harmonique, Vincent Dumestre (lute, théorbe, baroque guitar & direction)
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Jean-Baptiste Stuck - Tirannique Empire…
Jean-François Novelli (tenor) & Arnaud Marzorati (bass)
Ensemble Les Lunaisiens
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The playing here is marked by clarity and expressiveness in music that is intricate, emotionally demonstrative and ceaselessly exploratory...In all, supremely accomplished works if lacking that... —
