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François Couperin: La Sultane, Preludes & Concerts royaux
François Fernandez, Luis Ottavio Santos (violins), Alfredo Bernardini (oboe), Jérôme Hantaï, Emmanuel Balssa (viols), François Guerrier, Elisabeth Joyé (harpsichords)
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[Carnaval] draws from Le Sage a performance which triumphs unobtrusively over extreme familiarity to create an aura of spontaneity and freshness which beguiles the ear and the imagination alike.... —
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Gustave Nadaud - La Bouche & l’Oreille
Arnaud Marzorati (baritone), Daniel Isoir (piano), Stéphanie Paulet (violin), Alexandre Chabod (clarinet) & Paul Carlioz (cello)
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Matteis the Elder: Ayrs for the violin
Hélène Schmitt (violin & direction) & Eric Bellocq (theorbo, guitar), Gaetano Nasillo (cello), Jörg-Andreas Bötticher (harpsichord, positive organ)
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Haute-contre Reinoud Van Mechelen's top register is impressively sweet in Adones first monologue...and the incantation scene between the desperate sorceress and unhelpful Pluto in Act 4 is compelling... —
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Louis Spohr: The Forgotten Master
4 Concertos for Clarinet
Paul Meyer (conductor & clarinet)
Orchestre de Chambre de Lausanne
Meyer seems largely attuned to the solo parts edited by Stanley Drucker...[he] plays and conducts...assertive or pliant in his role from the rostrum. The conductor in Meyer is very good, the... —
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For Ever Fortune
Scottish Music in the 18th Century
Robert Getchell (tenor)
Les Musiciens de Saint-Julien, Francois Lazarevitch
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