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From the off, there’s a palpable sense of concentration, which is an absolutely key aspect of this piece, and he finds a palette of many colours within the subdued dynamics of the first Regard…He... —
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Using a 'tangent' piano - a short-lived hybrid of harpsichord and piano - for the pieces by Wilms and Schmitt, Arthur Schoonderwoerd plays with just the right amount of expressive freedom throughout.... —
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Frescobaldi: Canzoni
Les Basses Réunies (violone, basse de violon, tenor violins, cornett, harpsichord, claviorganum, theorbo, harp)
Bruno Cocset
Strummed, plucked bowed or blown - the notes unfailingly enchant, enveloping the listener in a penumbra of subtle textures. Frescobaldi's experiments with non-keyboard instruments have seldom... —
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Daniel Brel - Quatre chemins de mélancolie
(Four paths of melancholy)
Le Poème Harmonique: Daniel Brel (bandoneon & composition), Kaori Uemura (treble viol), Sylvia Abramowicz, Isabelle Saint-Yves, Martin Bauer (bass viols), Vincent Dumestre (theorbo & direction)
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Kapsberger: La Villanella
Johannette Zomer (soprano), Pino de Vittorio (tenor), Hans-Jörg Mammel (tenor)
L'Arpeggiata, Christina Pluhar
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J S Bach - Fantasia Cromatica, sonates & transcriptions
Yves Rechsteiner (harpsichord & pedal board)
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Estienne Moulinié - L'Humaine Comédie
Le Poème Harmonique, Vincent Dumestre (lute, théorbe, baroque guitar & direction)
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Soloists Johannette Zomer (Anima) and Marco Beasley (Corpo) communicated the text's rhetoric and poetry with pliant, highly expressive delivery. They're supported by a dazzling miscellany of... —
