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Emmanuel Krivine conducts R. Strauss & Zemlinsky
Luxembourg Philharmonic Orchestra, Emmanuel Krivine
Krivine's approach to [Zemlinsky's The Mermaid] is emotionally compelling…[with] fluidity of nuance and urgency…this is particularly noticeable in the very few surging orchestral climaxes where... —
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The Ensemble 415, which name I take to mean is the pitch to which its instruments are tuned, sounds absolutely stunning. If this were the way all period instrument ensembles and players sounded,... —
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It’s certainly not the marble-fronted, coolly classical city so many accounts of this work would suggest. La Tempête’s Venice is all cosmopolitan collisions, the crossroads of Europe – busy,... —
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Beethoven: Symphonies Nos. 5 & 6 'Pastoral' (Resound Collection, Vol. 8)
Wiener Akademie, Martin Haselböck
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Enfance
Maîtrise de Radio France, Sofi Jeannin, Vincent Warnier, Camille Bourrouillou, Julien Joubert, Marie-Noëlle Maerten
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Son of England - Music by Jeremiah Clarke & Purcell
Katherine Watson, Nicholas Tamagna, Jeffrey Thompson, Geoffroy Buffière
Le Poème Harmonique, Les Cris de Paris, Vincent Dumestre, Geoffroy Jourdain
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Rachmaninov: Piano Concerto No. 2 & Paganini Rhapsody
Anna Vinnitskaya (piano)
NDR Elbphilharmonie Orchestra, Krzysztof Urbanski
Vinnitskaya’s playing is an absolute delight for its natural, songful, expressive phrasing and a cool unpretentious temperament rather akin with the composer’s own recorded approach. Always... —
