Glossa
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La Tirana Contra Mambru
The tonadilla and popular musical comedies in Spain c.1800
Emilio Moreno (violin & director), Raquel Andueza (soprano), Marta Infante (mezzo), Juan Sancho (tenor) & Jordi Ricart (baritone)
El Concierto Español
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Handel - Italian Cantatas Volume 3
Cantatas for Cardinal Ottoboni
Raffaella Milanesi (soprano) & Salvo Vitale (bass)
La Risonanza, Fabio Bonizzoni (harpsichord/director)
It was once believed that the Venetian-born Cardinal Pietro Ottoboni was Handel's principal patron during the composer's exciting youthful years in Rome. Scholars now shy away from that verdict... —
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Canticum Canticorum
Spanish polyphonic settings from the Song of Songs
Orchestra of the Renaissance, Richard Cheetham (director) & Michael Noone (guest conductor)
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Boccherini En Boadilla
Enrico Gatti (violin), Emilio Moreno (viola), Gaetano Nasillo (cello)
La Real Cámara
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There is some terrific bass solo singing by Matteo Bellotto in 'Alcun non mi consigli' a nice theatrical delivery in 'Bel pastor', and some engaging bravura in 'Zefiro torna'. —
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Cavalli: Vespero della Beata Vergine Maria
Barbara Borden, Emily van Evera (sopranos), Rodrigo del Pozo (alto), Gerd Türk, Mark Padmore, Markus Brutscher (tenors) & Harry van der Kamp, Peter Zimpel (basses)
Concerto Palatino, Bruce Dickey & Charles Toet
the singing is first-rate, and the instrumental line-up, with two cornetts and up to eight trombones, often sounds glorious in the spacious acoustic of the Reformierte Kirche Arlesheim in Switzerland. —
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