Glossa
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Mozart: Italian Arias
Amadeus's Italian Journeys 1769-1791
Filippo Mineccia (countertenor), Orchestra Farnesiana
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Celestial & Wordly Love From the Two Maries
Jose Maria Lo Monaco (mezzo-soprano), Divino Sospiro, Massimo Mazzeo
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Francesco Gasparini: Alto Arias
Filippo Mineccia (counter-tenor), Orchestra Nazionale Barocca Dei Conservatori Itali, Paolo Perrone
To add to the intrinsic beauty of the voice, especially in mid register, is a fine, agile technique and above all an innate response to the drama of text...Not the least impressive aspect of... —
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Handel: Aci Galatea E Polifemo
Raffaele Pe (counter-tenor), Giuseppina Bridelli, Andrea Mastroni, La Lira Di Orfeo
Notwithstanding flaws in conception, this is an intriguing opportunity to hear some of Handel’s 1730s alternative numbers recorded for the first time. —
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Avondano: La Morte d'Abel
Raquel Camarinha, Filippo Mineccia, Ana Vieira Leite (soprano), Valentina Varriale, Sergio Foresti, Divino Sospiro, Massimo Mazzeo
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Jean-Marie Leclair: Scylla et Glaucus
Orfeo Orchestra, György Vashegyi, David Witczak, Purcell Choir, József Gál, Márton Komáromi, Hasnaa Bennani, Jehanne Amzal, Judith van Wanroij, Cyrille Dubois, Véronique Gens
The Orfeo Orchestra play the Overture and assorted dances suavely...The stylised pangs of Glaucus’s unrequited love are captured touchingly by Cyrille Dubois...The infatuated sorceress’s dark-hued... —
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Rore: Vieni dolce Himineo & Other Madrigals
Dario Previato (bass), Paola Cialdella (alto), Giulia Beatini (alto), Massimo Lombardi (tenor), Raffaele Giordani (tenor), Daniele Carnovich (bass), Efix Puleo (vielle), Svetlana Fomina (viola da bracchio), Sabina Colonna Preti (viola da gamba), Rossana Bertini (soprano), Giuseppe Maletto (tenor),...
‘Sebben il duol’ has a magical ring to it…For me this is one of the standouts, but the entire collection is perhaps the best introduction to Cipriano now available. At its best it equals anything... —
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On this album the breadth of approaches nurtured by the stylus phantasticus is most vividly encapsulated in the music of Nicola Matteis Sr. Tur Bonet’s stylish interpretations will surely inspire... —
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Rameau: Naïs
Chantal Santon-Jeffery (Naïs), Reinoud Van Mechelen (Neptune), Florian Sempey – Jupiter, Tirésie), Thomas Dolié (Pluton, Télénus), Manuel Nuñez-Camelino (Astérion), Daniela Skorka (Flore, Une Bergère), Philippe-Nicolas Martin (Palémon), Márton Komáromi (Protée)
Purcell Choir, Orfeo Orchestra,...
Certainly Vashegyi and his Hungarian forces, always impressive in this repertoire, provide every incentive to relish the work…The delicate languor and sensitivity Vashegyi brings to slower number... —
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