Glossa
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This recording is one of the best in La Venxiana's Monteverdi series - musically sustained with a convincing sense of ensemble and pace, and crisply recorded. —
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Gioseffo Zarlino - Canticum Cantorum Salomonis & Motets
Recorded at St. Peter-in-Chains, London, in May 2005
Ensemble Plus Ultra, Michael Noone (direction)
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Albéniz: Iberia, suite for orchestra (orchestrated by Guerrero)
Orquesta Sinfónica de Galicia, José Ramón Encinar
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No corner of the operatic repertory offers a greater wealth of freestanding orchestral dances than the French Baroque, and no composer wrote such a rich and enjoyable array of them as Rameau,... —
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El aroma del tiempo (The scent of time)
A fusion of African rhythms, trance, new age, acoustic, electric and invented instruments
Pedro Estevan, Arianna Savall, Marco Ambrosini, Dimitris Psonis
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Mozart: Arias for Aloysia Weber
Cyndia Sieden (soprano)
Orchestra of the 18th Century, Franz Brüggen (director)
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I find La Venexiana’s darker hues and dramatic but not histrionic approach to be unbeatable. —
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