Glossa

His [Konrad Junghänel] performances are rich in expressive weight, the resonant depth of his playing being well captured in St Stephanuskerk, Melsen … He is very much a measured, powerfully... — MusicWeb International, 27th July 2015More…

The solemnly twisting contrapuntal strings in the Sinfonia are played with both passion and refinement – characteristics that pervade much of this performance. Emanuela Galli’s quicksilver shaping... — Gramophone Magazine, August 2020More…

Ensemble Aurora gives a fine performance of the works, stylistically appropriate, with some typical Corellian ornamentation at suitable places, and all thoroughly enjoyable — Early Music Review, December 2012More…

Leila Schayegh plays her Guarneri violin (Cremona, 1675) with an astounding mastery over technical execution that never eclipses sincere feeling. Continuo support from Felix Knecht and Vaclav... — Gramophone Magazine, May 2012More…

Book 7 (1619) gathers together works that must have been written many years apart. The common denominator is its consistent use of instruments in conjunction with the voices. Recording the complete... — Gramophone Classical Music Guide, 2010More…

Hervé Niquet celebrated the 15th anniversary of his group Le Concert Spirituel by assembling a hundred musicians at the Arsenal de Metz to produce what is claimed as 'the first historical recording'... — Gramophone Classical Music Guide, 2010More…

In their Monteverdi Editions, La Venexiana bring a dramatic delivery of the words and a uniquely Italian blend of solo voices to this glorious music, unrivalled on disc. — Sunday TimesMore…