Glossa
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Charpentier - Missa Assumpta est Maria,
Recorded at IRCAM, Paris, in July 2008
Chantal Santon-Jeffery, Hanna Bayodi-Hirt (sopranos), François-Nicolas Geslot (counter-tenor), Romain Champion (tenor) & Benoît Arnould (bass)
Le Concert Spirituel, Hervé Niquet
…is musically and interpretatively satisfying. Le Concert Spirituel possess a fluency which complements the graceful eloquence of Charpentier's style. — More…
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By its nature, this is not a recital that reaches out and grabs you but it nevertheless provides over an hour of gentle, unexpected pleasure. — More…
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J S Bach - De Occulta Philosophia
José Miguel Moreno (baroque lute), Emma Kirkby (soprano), Carlos Mena (countertenor)
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Beethoven: Missa Solemnis in D major, Op. 123
Carolyn Sampson (soprano), Marianne Beate Kielland (alto), Thomas Walker (tenor) & David Wilson-Johnson (bass)
Cappella Amsterdam & Orchestra of the Eighteenth Century, Daniel Reuss
The Orchestra of the Eighteenth Century plays with passionate commitment, and the Capella Amsterdam is fervent — More…
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Cantar de Amor
Juan Hidalgo and 17th-century Spain
Juan Sancho (tenor)
Accademia del Piacere, Fahmi Alqhai
the songs recorded here have charm and distinction, and [Hildalgo's] collaborations with the playwright Pedro Calderón…resulted in several experiments that might have been taken further. The... — More…
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Castro, F J: Trio sonatas, Op. 1
Emilio Moreno, Enrico Gatti (violins), Mercedes Ruiz (cello), Pablo Zapico (Baroque guitar & theorbo) & Aarón Zapico (harpsichord)
La Real Cámara
Its 10 trio sonatas are constructed as suites of preludes and dances, and all are played superbly by La Real Cámara. Principal violinist Emilio Moreno – the co-founder of the Glossa label –... — More…
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Canticum Canticorum
Spanish polyphonic settings from the Song of Songs
Orchestra of the Renaissance, Richard Cheetham (director) & Michael Noone (guest conductor)
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