Glossa
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Boccherini: Six Quartets
La Real Cámara: Arthur Schoonderwoerd (fortepiano), Emilio Moreno (violin), Antonio Clares (viola) & Mercedes Ruiz (cello)
The performances, on period instruments are as pleasing as you could wish for, with Arthur Schoonderwoerd playing a copy of a Stein piano whose delicate tones are exquisitely tintinnabulous... — More…
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The instruments’ mellow sounds are absolutely lovely, every one of Schayegh and Schultsz’s tempos are spot on, and if I disagree with a few interpretative decisions, their expressive intentions... — More…
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Brahms: Ein deutsches Requiem, Op. 45 (Live)
Carolyn Sampson (soprano), André Morsch (baritone), Orchestra of the 18th Century, Cappella Amsterdam, Daniel Reuss
The smaller than usual choir for this work and the orchestra’s period instruments, together with a general observance of the metronome markings from the first performance in 1868, lend this... — More…
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Rameau: Naïs
Chantal Santon-Jeffery (Naïs), Reinoud Van Mechelen (Neptune), Florian Sempey – Jupiter, Tirésie), Thomas Dolié (Pluton, Télénus), Manuel Nuñez-Camelino (Astérion), Daniela Skorka (Flore, Une Bergère), Philippe-Nicolas Martin (Palémon), Márton Komáromi (Protée)
Purcell Choir, Orfeo Orchestra,...
Certainly Vashegyi and his Hungarian forces, always impressive in this repertoire, provide every incentive to relish the work…The delicate languor and sensitivity Vashegyi brings to slower number... — More…
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the florid virtuosity, innate energy and lucid counterpoint are compelling. — More…
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Monteverdi: Vespro della beata Vergine (1610)
Recorded at Basilica di San Maurizio, Pinerolo, Italy, in September and October 2016
La Compagnia del Madrigale, Cantica Symphonia, La Pifarescha, Giuseppe Maletto
In the large choral items such as Nisi Dominus we are met with a magisterial and uplifting wall of sound, amply supported by a jamboree of instruments from the group La Pifarescha. The solo... — More…
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The quartets are attractive pieces, by turns naively innocent and emotionally ambiguous, but always written with real flair for the medium...La Ritirata give lively and alert accounts, clearly... — More…
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Combining secular and sacred, instrumental and vocal works – sung one-to-a-part – there’s a pleasing simplicity to these performances. A fine introduction to the composer in his anniversary... — More…
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Cavalli: Vespero della Beata Vergine Maria
Barbara Borden, Emily van Evera (sopranos), Rodrigo del Pozo (alto), Gerd Türk, Mark Padmore, Markus Brutscher (tenors) & Harry van der Kamp, Peter Zimpel (basses)
Concerto Palatino, Bruce Dickey & Charles Toet
the singing is first-rate, and the instrumental line-up, with two cornetts and up to eight trombones, often sounds glorious in the spacious acoustic of the Reformierte Kirche Arlesheim in Switzerland. — More…
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