Glossa

They perhaps lack the finished suavity of Corelli’s published work, but their elegance and studied brevity — each sonata consists of three short movements — ring true. — Sunday Times, 16th November 2014More…

Among the highlights are character pieces by Christina’s ‘Prince of Music’, Bernardo Pasquini…Throughout, Galassi combines precision and flair with astute musicological insights, and the regal... — BBC Music Magazine, June 2018, 4 out of 5 starsMore…

Well served by a close, reverberant recording, Alqhai marries a reedy, warmly penetrating tone with finely etched dynamics. His articulations, accentuations and phrasing grow naturally out of... — The Strad, April 2017More…

Its 10 trio sonatas are constructed as suites of preludes and dances, and all are played superbly by La Real Cámara. Principal violinist Emilio Moreno – the co-founder of the Glossa label –... — Gramophone Magazine, September 2016More…

By its nature, this is not a recital that reaches out and grabs you but it nevertheless provides over an hour of gentle, unexpected pleasure. — Gramophone Magazine, Awards Issue 2019More…

This recording from Hungarian musicians under the direction of György Vashegyi is a fine achievement, and very welcome. The Purcell Choir is a small chamber choir with an attractive, bright... — Choir & Organ, September 2019, 4 out of 5 starsMore…

There is a fine orchestral sound and the singers are generally of a high standard...What is certain is that this particular pastiche, and probably others which Handel confected for his London... — Early Music Review, May 2017, 5 out of 5 starsMore…

Franco Pavan’s recent forays into the exciting world of folk/early music with Laboratorio ’600 are stylish and exciting. His combination of poignant programming with crisp, exacting performances... — Gramophone Magazine, September 2017More…