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Purcell: The Fairy Queen, Z629
Caroline Mutel (soprano), Guillaume Andrieux (baritone), Kevin Greenlaw (baritone), Virginie Pochon (soprano), Caitlin Hulcup (mezzo-soprano), Samuel Boden (tenor), Christophe Baska (counter-tenor), Julien Picard (tenor), Ronan Nédélec (bass), Anders J. Dahlin (tenor), Frédéric Caton (bass), Hjördis...
Among d’Herin’s large team of soloists, the bass Frederic Caton contributes steady, sensitive performances as Sleep and Winter … his [Herin] orchestra plays extremely well in a style far more... — More…
2 CDs
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Mozart: Italian Arias
Amadeus's Italian Journeys 1769-1791
Filippo Mineccia (countertenor), Orchestra Farnesiana
CD
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Gagliano: La Flora Elena Sartori, Allabastrina, Clarissa Reali, Valeria La Grotta, Mauro Borgioni, Marta Fumagalli, Arianna Stornello, Maximiliano Danta Texeira, Alessio Tosi, Margherita Rotondi, Marco Saccardin, Alice Fraccari, Nikos Angelis
2 CDs
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CD
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Feo: San Francesco di Sales
Monica Piccinini (Angelo), Roberta Mameli (Eresia), Delphine Galou (San Francesco) & Luca Tittoto (Inganno)
Stuttgarter Kammerorchester, Fabio Biondi
Feo’s score is not a masterpiece on the level of Bach and Handel…but it is a work of skill and some imagination, especially in terms of the orchestral writing. It’s often ornate da capo arias... — More…
2 CDs
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CD
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Mineccia is well equipped both musically and intellectually to meet the broad demands of this repertoire. The full, vibrant timbre of his well-produced voice and evenness across its range is... — More…
CD
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Charles-Hubert Gervais: Grands Motets
Olivia Doray, Katalin Szutrely, Cyrille Dubois, Mathias Vidal (tenor), David Witczak, Purcell Choir, Orfeo Orchestra
György Vashegyi
The Purcell Choir inject the expressively varied choruses with vitality or restraint, as required, while the instruments provide sensitive responses to vocal requirements. — More…
CD
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Beethoven: Symphonies Nos. 1-9
Rebecca Nash (soprano), Wilke te Brummelstroete (mezzo-soprano), Marcel Beekman (tenor) & Michael Tews (bass)
Laurens Collegium & Laurens Cantorij, Orchestra of the 18th Century, Frans Brüggen
Brüggen's message, interpreted from uncorrupted texts, gets through, every repeat except one (in the third movement of the Seventh) observed. But he reserves judgement about Beethoven's metronome... — More…
Awards:
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Gramophone Awards, 2013, Finalist - Orchestral
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