Browse: Evidence Classics (label)

Lefebvre’s ardently poetic singing is matched stride for stride by responsively contoured playing; the pathos-laden slower and softer sections are spellbinding … the first lesson for Tenebrae... — Gramophone Magazine, October 2016 More…

To say that François-Frédéric Guy treats the young Brahms’s three piano sonatas to a range of colours more readily associated with the piano music of Debussy is an understatement...Above all,... — Classical Ear, 25th July 2016 More…

This is the first appearance in these pages of the French pianist Jean-Paul Gasparian (b1995, Paris) but I suspect he will be appearing fairly regularly over the next few years if this Rachmaninov... — Gramophone Magazine, May 2022 More…

There is so much to admire about Wagschal’s grasp of and complete empathy with the genre that comparisons become irrelevant. His handling of Godowsky’s multi-layered voices is masterly and the... — Gramophone Magazine, October 2016 More…

Corti eschews piano in favour of an instrument that was fast becoming obsolete when Haydn composed these works, in the process losing absolute control of dynamic, but gaining crispness in articulation... — Sunday Times, 30th April 2017 More…

Rarely has this ensemble sounded so full and blooming in sacred polyphony, helped by the presence of two sopranos for the top line … Isaac is at or very near the top of his game in this imposing... — Gramophone Magazine, October 2016 More…