Evidence Classics

The quality of interplay between them is admirable but, in playing to each other rather than to the back rows, the effect is one of reticence, almost self-effacement…[in the Fantasie] the microphones... — Gramophone Magazine, June 2018 More…

Corti eschews piano in favour of an instrument that was fast becoming obsolete when Haydn composed these works, in the process losing absolute control of dynamic, but gaining crispness in articulation... — Sunday Times, 30th April 2017 More…

Lefebvre’s ardently poetic singing is matched stride for stride by responsively contoured playing; the pathos-laden slower and softer sections are spellbinding … the first lesson for Tenebrae... — Gramophone Magazine, October 2016 More…

To say that François-Frédéric Guy treats the young Brahms’s three piano sonatas to a range of colours more readily associated with the piano music of Debussy is an understatement...Above all,... — Classical Ear, 25th July 2016 More…

Rarely has this ensemble sounded so full and blooming in sacred polyphony, helped by the presence of two sopranos for the top line … Isaac is at or very near the top of his game in this imposing... — Gramophone Magazine, October 2016 More…