Dutton

Purely for sound quality, this disc is a winner. It is a sumptuous, full-blooded recording with a richly resonant bass matched by the soloist's powerful Fazioli. Both concertos are real finds.... — Gramophone Classical Music Guide, 2010 More…

The Second and Third Piano Concertos, together with the ambitious SymphonicFantasia, make a fine follow-up to the coupling of the First Piano Concerto and Violin Concerto. Such largesse deserves... — Gramophone Classical Music Guide, 2010 More…

in Helen Callus we have an outstanding player who is clearly dedicated to these works. In turn, she is quite superbly partnered by the BBC Concert Orchestra, whose fine playing here is surely... — International Record Review, July/August 2011 More…

Farrington's idealized versions is quite superb and his performance... really holds up the work as a significant addition to the repertoire...one can have little doubt that the piano arrangement... — International Record Review, March 2011 More…

To avoid sounding mawkish, this kind of idiom needs a really focused sound in performance: Martin Yates conjures exactly that from the RLPO string section, which responds with serious class — Classic FM Magazine, November 2010, 4 out of 5 stars More…

Dutton is certainly to be congratulated on offering such a worthwhile disc of British music otherwise likely to be neglected, superbly played and vividly recorded. — Gramophone Magazine, May 2010 More…

The indefatigible Martin Yates has rescued and edited substantial early works by Cyril Scott, including a previously unknown Piano Concerto and Cello Concerto: Donohoe and Wallfisch show they... — BBC Music Magazine, August 2013, 4 out of 5 stars More…