Deux-Elles
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I haven't heard playing from any recent pianist that surpasses Roscoe's...It is characteristic of Roscoe, as of all the supreme executants, that listening itself becomes a strenuous process...Roscoe... — More…
Awards:
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BBC Music Magazine, October 2012, Instrumental Choice
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Julian Perkins has chosen an eclectic variety of pieces ranging from the first half of the 17th to the middle of the 18th century. New to my ears was a Capriccio by Wolfgang Ebner, whose dance-like... — More…
Awards:
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BBC Music Magazine, August 2023, Instrumental Choice
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From the Beginning: Music for Winds and piano by Mozart, Thuille and Poulenc
The Galliard Ensemble, Sam Haywood
Haywood and the Galliard’s approach is vivacious and well-balanced, with impeccable intonation and ensemble. The opening Allegro [of the Mozart] rattles along nicely and the central Larghetto... — More…
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I’d call this is a fine sampling of a highly able ensemble who on the evidence so far presented (this is their sixth recording) are as promising as any around. — More…
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Yang has impeccable attention to detail, bravely observing the fff (and ppp) indications. This is intimate salon music painted with broad brush strokes. — More…
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Christopher O'Neal's playing of both oboe and cor anglais is bright, incisive and elegantly turned… His colleagues match his artistry and expertise, not least with unusually well characterised... — More…
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Roscoe doesn't miss a trick. If I have a criticism, and I don't think I have, it's that he leaves nothing hidden in these marvellous works — More…
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