Deutsche HM
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The instrumental contributions throughout are a real highlight…and Mields’s artless delivery makes for an attractive and infinitely listenable recital, even if musical passions never quite glow... —
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Katharina Baüml and Capella de la Torre demonstrate imaginative responses to the music with a modest arsenal…Careful thought has been given to varying the colour spectrum which, going hand-in-hand... —
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Mozart: Zaïde, K344
Tobias Moretti, Diana Damrau & Michael Schade
Concentus Musicus Wien, Nikolaus Harnoncourt
Harnoncourt is at his most sensitive, shaping the lyrical numbers affectionately yet without mannerism, and bringing his trademark explosive energy to such fiery zoological arias as Soliman's... —
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Handel: Alessandro, HWV21
Rene Jacobs (Alessandro), Sophie Boulin (Rossane), Isabelle Poulenard (Lisaura), Stephen Varcoe (Clito), Jean Nirouët (Tassile), Guy de Mey (Leonato), Ria Bollen (Cleone)
La Petite Bande, Sigiswald Kuijken
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Handel: Partenope, HWV 27
Krisztina Laki (Partenope), Rene Jacobs (Arsace), Helga Muller-Molinari (Rosmira), John York Skinner (Armindo), Martyn Hill (Emilio), Stephen Varcoe (Ormonte)
La Petite Bande, Sigiswald Kuijken
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Bach, J S: St Matthew Passion, BWV244
Christoph Pregardien (Evangelist), Max van Egmond (Jesus), Rene Jacobs, David Cordier (altos), Marcus Schafer, John Elwes (tenor), Klaus Mertens, Peter Lika (bass)
La Petite Bande, Tolzer Knabenchor, Gustav Leonhardt
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Anfossi: La finta giardiniera
Nuria Rial (Sandrina), Krystian Adam (Belfiore), Maria Espada (Ramiro), Katja Stuber (Arminda), Miljenko Turk (Podestà), Florian Götz (Nardo) & Monika Reinhard (Serpetta)
L'Arte del Mondo, Werner Ehrhardt
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Pergolesi: L'Olimpiade
Raffaella Milanesi (Aristea), Ann-Beth Solvang (Argene), Olga Pasichnyk (Megacle), Jennifer Rivera (Licida), Martin Oro (Alcandro), Jeffrey Francis (Clistene), Markus Brutscher (Aminta)
Academia Montis Regalis, Alessandro de Marchi
Academia Montis Regalis deliver a vivid interpretation that advocates Pergolesi as a musical dramatist of greater versatility and imagination than most of us will have hitherto suspected. —
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