Deutsche HM
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Les Sauvages
Harpsichords in pre-Revolutionary Paris
Giulia Nuti (played on an original French 17th-century harpsichord rebuilt in 1788)
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The Stainer violins sound great...it is almost as if having them in their hands has spurred Meret Luthi and her companions to ever greater freedom, for they make a mighty, fruity sound...There... —
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Mendelssohn: Elijah, Op. 70
Genia Kuhmeier (soprano), Ann Hallenberg (contralto), Lothar Odinius (tenor), Michael Nagy (baritone)
Balthasar-Neumann-Ensemble, Balthasar-Neumann-Chor-und-Solisten, Thomas Hengelbrock
it is in every way a big, dramatic interpretation, and as such absolutely in keeping with Mendelssohn’s ideal…Nagy is a powerful, sonorous Elijah, not merely a man of God but an out-and-out... —
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C.P.E. Bach: Die Israeliten in der Wüste
Christoph Spering, Chorus Musicus Köln, Das Neue Orchester, Anja Petersen (soprano), Daniel Johannsen (tenor), Sarah Maria Sun (soprano), Johannes Weisser (baritone)
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