Delphian
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Eternal Source of Light: Bach | Handel | Vivaldi
The Choir of Ipswich Minster, Gibbs Ensemble, Christopher Borrett, Katherine Williams, John Jermy, Matthew Jones (viola), David Price, Lucy Gibbs, Melanie Woodcock, Jonathan Hanley, Amelia Grzesiak, Jonathan Hanley tenor, Finlay Bloore
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Obeying their instructions to the letter means that cellist and pianist convey the meaning of every crescendo or change of tempo, however minimal, proving that tiny details can have huge effects.... —
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Wilde's love of this music is transparent … he throws caution to the wind —
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Wilde makes some lovely sounds and, now in his late 70s, has learned to take his time. The first of the Liebestraume takes my prize for delicacy and control...connossieurs of piano playing will... —
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How wonderful it is to hear this music given a real performance rather than the usual dutiful playthrough...None of this music quite reveals the genius we now mourn, yet Willshire gives compelling... —
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He addresses that Everest on the landscape of Bach’s keyboard writing, and with characteristically unshowy yet compelling results. He’s up against stiff opposition of course…But there’s an honesty... —
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Hill establishes his voice from the outset with fluid, velvet-toned playing and a predominantly introspective, rather than showy approach...In short, these are exquisitely poetic and, above... —
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Tudor Music Afterlives
Ensemble Pro Victoria, Toby Ward, Magnus Williamson, Toby Carr, Elisabeth Paul, Fiona Fraser
The Sheppard shows the ensemble at their best, and I’d also heartily recommend the Ludford. Both these ‘firsts’ earn their place in the catalogue straight away. —
