Delphian
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Beginning in hushed tones, this develops into something magical. McLeod’s percussion concerto is particularly impactful, utilising the nuanced sounds of every instrument. — More…
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Mynstrelles With Straunge Sounds
The Earliest Consort Music For Viols
Clare Wilkinson (mezzo-soprano)
Rose Consort of Viols
Wilkinson’s androgynous, straight tone chafes vividly against the viols – a smooth gloss on a pitted sound that creates necessary variety and beauty in a disc that might easily have been a historical... — More…
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in various ways each of the pieces here – all short bar one, and performed with an elegant, easy virtuosity by Huggan – owes as much to popular songwriting as to traditional classical forms.... — More…
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Ian Venables: Requiem & Herbert Howells: Anthems for Choir & Orchestra
Eppie Sharp, Aine Smith, Edmund Saddington, LucyAnne Fletcher
Choir of Merton College Oxford, Oxford Contemporary Sinfonia, Benjamin Nicholas
This isn’t music to shake mountains, but its craftsmanship, sincerity and ability to stir the more tender emotions – well reflected in this performance – remains undeniably appealing. — More…
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Edward Nesbit: Sacred Choral Music
Ruby Hughes (soprano), Joshua Simões the Choir of King’s College, London, Joseph Fort
Nesbit’s liner notes describe the traces of his ‘dual musical heritage’, inspired by Anglican choral music from the Tudor era and contemporary music. This album shows this juxtaposition of inf... — More…
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Full and imaginative use is made of the Kelvingrove organ’s colourful registers, and the opulent magnificence of this instrument is well captured by Delphian’s recording — More…
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Caprices and Laments
Maximiliano Martín (clarinet), Orquesta Sinfónica de Tenerife, Lucas Macias Navarro
There are beautiful moments of light and shade in these sparkling performances by the Tenerife musicians. Martín’s expressive virtuosity is the set’s glowing heart. — More…
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The Lamentations of Jeremiah
Lay Clerks of St George's Chapel, Windsor Castle, Timothy Byram-Wigfield
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Lliam Paterson: Say It To The Still World
Sean Shibe (guitar), Choir of King's College London, Joseph Fort
This set of works for choir and electric guitar calms and hypnotises. The guitar is at the forefront of the mix, creating ethereal textures which seem to shimmer. The text is felt viscerally,... — More…
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Obeying their instructions to the letter means that cellist and pianist convey the meaning of every crescendo or change of tempo, however minimal, proving that tiny details can have huge effects.... — More…
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