Unitel Editions
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Puccini: Tosca
Kristine Opolais (Tosca), Jonathan Tetelman (Cavaradossi), Gábor Bretz (Scarpia), Rafał Pawnuk (Sacristan/Sciarrone), ORF Radio-Symphonieorchester Wien, Arnold Schoenberg Chor, Marc Albrecht, Martin Kušej
This is not the finest Tosca you will ever hear, nor the most opulent one you’ll ever see … but it’s possibly the one you’ll most remember. — More…
Awards:
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Gramophone Magazine, December 2023, DVD/Blu-ray of the Month
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Puccini: Tosca
Kristine Opolais (Tosca), Jonathan Tetelman (Cavaradossi), Gábor Bretz (Scarpia), Rafał Pawnuk (Sacristan/Sciarrone), ORF Radio-Symphonieorchester Wien, Arnold Schoenberg Chor, Marc Albrecht, Martin Kušej
This is not the finest Tosca you will ever hear, nor the most opulent one you’ll ever see … but it’s possibly the one you’ll most remember. — More…
Awards:
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Gramophone Magazine, December 2023, DVD/Blu-ray of the Month
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The John Cranko Stuttgart Ballet Collection
Stuttgart Ballet, Marcia Haydée, Friedemann Vogel, John Cranko
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Mozart: Don Giovanni (DVD)
The Nikolaus Harnoncourt Cycle
Andrè Schuen (Don Giovanni), Ruben Drole, Christine Schäfer (Donna Anna), Mauro Peter (Don Ottavio), Maite Beaumont (Donna Elvira), Mari Eriksmoen (Zerlina)
Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. — More…
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Mozart: Così fan tutte
Mari Eriksmoen (Fiordiligi), Katija Dragojevic (Dorabella), Mauro Peter (Ferrando), Andrè Schuen (Guglielmo), Elisabeth Kulman (Despina), Markus Werba (Don Alfonso)
Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. — More…
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Handel/Mozart: Der Messias
Elena Tsallagova (soprano), Wiebke Lehmkuhl (mezzo-soprano), Richard Croft (tenor), José Coca Loza (bass), Alexis Fousekis, Philharmonia Chor Wien, Les Musiciens Du Louvre, Mark Minkowski, Robert Wilson
On the plus side, Wilson shows a definite response to the music.Yet there’s always a tendency for whatever work he stages to become an accompaniment to a fussy and (in terms of significance)... — More…
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Prokofiev: The Fiery Angel
Ausrine Stundyte (Renata), Bo Skovhus (Ruprecht), Natascha Petrinsky (Hostess/Abbess), Elena Zaremba (Fortune-Teller), Nikolai Schukoff (Agrippa von Nettesheim/Mephistopheles)
ORF Radio-Symphonieorchester Wien, Arnold Schoenberg Chor, Constantin Trinks, Andrea Breth
With both the setting and aspects of the story radically altered, the opera becomes even darker and more powerful...Aušrinė Stundytė has in recent years made the role of Renate her own; and with... — More…
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Tchaikovsky: Pique Dame ('The Queen of Spades')
from the Salzburg Festival, Grosses Festspielhaus, August 2018
Brandon Jovanovich (Hermann), Evgenia Muraveva (Lisa), Vladislav Sulimsky (Count Tomsky / Plutus), Igor Golovatenko (Prince Yeletsky), Hanna Schwarz (Countess)
Wiener Staatsopernchor, Wiener Philharmoniker, Mariss Jansons (conductor)
[Jovanovich has] a substantial lyric tenor with the capacity to be lyrical or heroic according to need, and the ability to cut through pretty well any texture. Nevertheless, with a tone that... — More…
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Mozart: Così fan tutte
Mari Eriksmoen (Fiordiligi), Katija Dragojevic (Dorabella), Mauro Peter (Ferrando), Andrè Schuen (Guglielmo), Elisabeth Kulman (Despina), Markus Werba (Don Alfonso), Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. — More…