Browse: Coro (label)
This page lists all recordings from the label Coro.
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Vivaldi's Gloria & Bach's Magnificat Lynda Russell, Gillian Fisher & Ian Partridge
The Sixteen & The Symphony of Harmony and Invention, Harry Christophers
Singing and playing on the highest level from every department. — More…
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The whole effect is quasi-theatrical without being melodramatic. The Mass also has its virtues from the vigour of the Kyrie...to the delicate duetting of the Osanna. The recording retains the... — More…
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The Sixteen’s complete recording of the Selva morale collection has been praised in these pages, and the qualities of ensemble are certainly worth noting here also. They are heard to best effect... — More…
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This Marian 'kick-start' to the Sixteen's Victoria series is with one exception given over to sumptuous eight-part polyphony showing the 'fit' and 'finish' of the choir at its most scrupulous. — More…
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Christophers is in his element here, and though his string ensemble is half the size of Purcell’s Twenty-Four Violins, he coaxes a robust, full-bodied sound from his players. The detailed recording... — More…
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Mozart: Mass in C minor, K427 'Great'
Gillian Keith (soprano), Tove Dahlberg (mezzo soprano), Thomas Cooley (tenor) & Nathan Berg (bass-baritone)
Handel and Haydn Society, Harry Christophers
[Christophers] fields an impressive period-instrument orchestra, and a game and regularly strong choir...Of the soloists, the finest is Gillian Keith, consistently graceful and utterly winning... — More…
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Durante: Requiem Alexandra Kidgell (soprano), Katy Hill (soprano), William Purefoy (countertenor), Mark Dobell (tenor), Ben Davies (bass), Clive Driskill-Smith (organ)
Oxford Baroque, Christ Church Cathedral Choir, Oxford, Stephen Darlington
Durante’s 1746 post-Baroque Requiem is no great masterpiece, but it does have moments of elegance and charm which are beautifully rendered. The likeable Organ Concerto benefits from sparkling... — More…
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The Call of Rome: Music by Allegri, F. Anerio, Josquin and Victoria The Sixteen, Harry Christophers
The singers begin with Victoria’s responses for Holy Saturday. They immediately evoke the meanings of the texts, conjuring up a compelling drama in their portrayal of Christ’s harrowing of hell... — More…
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