Coro

[the Paris Symphony No. 83 is] a marvellously intense piece, and it gets a no-holds barred performance from Harry Christophers and the Handel and Haydn Society orchestra. They bring a fine sense... — BBC Music Magazine, May 2016, 4 out of 5 stars More…

[Symphony No. 26] Christophers presents the powerful, restless first movement perfectly, the raucous valveless horns of its close perfectly judged. The first plainchant melody provides the first... — Classical Music, April 2018, 5 out of 5 stars More…

Christophers once again demonstrates that his 203-year-old band are in rude health. — Gramophone Magazine, January 2019 More…

These Haydn performances with the period players of the venerable Handel and Haydn Society...are as insightful in their way as anything [Christophers] has done with his own choir The Sixteen...Christophers... — BBC Music Magazine, Christmas Issue 2013, 5 out of 5 stars More…

Nosky is clearly the personality at the centre of these performances, audibly directing from the front, in contrast to (for example) Isabelle Faust, whose voice emerges as if organically from... — Gramophone Magazine, March 2021 More…

In this context I hear Nosky, the Handel and Haydn Society’s gifted concertmaster, as a forthright, rhythmically pungent player. — Gramophone Magazine, December 2023 More…