Coro
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Performances are of the standard one would expect from The Sixteen, the singers moving effortlessly between ‘old’ and ‘new’ styles, featuring some outstanding solo contributions in the concertato... — More…
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The choir is at its best in two movements selected from Antoine Brumel's Missa Et ecce terrae motus...The Gloria opens with some truly delicate singing, and the clear, restricted harmonies evoke... — More…
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Across the disc, complex polyphonic edifices are negotiated with Christophers’s intuitive suavity, and stretches of prayerful serenity are enlivened with a gear-changing dramatic lift here,... — More…
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Does Christmas sound different in America? Partly. Over half of the selections here are American in origin...Fascinating also to compare the American style of singing, more vigorous in attack... — More…
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As we should expect, [the Welcome Songs] are cheerful pieces whose character is realised in the spontaneous responses of The Sixteen…Taken together these compositions produce a colourful chiaroscuro... — More…
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This is a disc which anybody remotely interested in Rubbra will want to purchase. — More…
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Buxtehude: Membra Jesu nostri, BuxWV75
Carolyn Sampson, Libby Crabtree, Robin Blaze, James Gilchrist & Simon Birchall
The Sixteen, Harry Christophers
Inspired music matched by intensely heartfelt one-to-a-part performance. — More…
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The Sixteen provide us with beauty in generous quantities, together with elegant phrasing, clear words and immaculate tuning — More…
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Britten's mastery of writing for unaccompanied chorus is here demonstrated in fine performances of works written between 1938 and 1975. — More…
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Handel: Messiah
Gillian Keith (soprano), Daniel Taylor (alto), Tom Randle (tenor), Sumner Thompson (bass)
Handel and Haydn Society, Harry Christophers
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