Capriccio

Stefan Cerny’s smoothly serene King gives pleasure; and the most satisfying singing comes from Jacquelyn Wagner, whose warm soprano (a mite occluded above the stave) drew me in to Euryanthe’s... — Opera, December 2019 More…

The Sheridans are stylish advocates. They match the Viennoiserie with performances oozing that very Viennese quality of Gemütlichkeit. And their impeccable taste, sensitivity and refinement... — BBC Music Magazine, October 2015 More…

There’s some superb singing here…’Immer leiser wird mein Schlummer’ is creepily introverted, and [Iranyi is] charming in Reger’s own ‘Wiegenlied’. Tenor and baritone, Rainer Trost and Paul Armin... — Gramophone Magazine, December 2016 More…

Given that Eisler’s choral work was spurred by the spread of Nazism it is, unsurprisingly, relentlessly dark and dramatic. The performance here crackles with atmosphere. — BBC Music Magazine, April 2021, 4 out of 5 stars More…

What an extraordinary work it is… Variation form is expanded far beyond breaking point to become, effectively, a single-movement symphony… The performance lacks nothing in commitment or sense... — Gramophone Magazine, June 2019 More…

Well worth hearing. — MusicWeb International, January 2020 More…

As the Prince, Robin Adams is the cast’s outstanding singer, his baritone lyrical enough for the ‘dreaminess’ of his character, but also strong and full-bodied enough for his role as hero of... — Opera, March 2021 More…