Chandos
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Her connection to the often elusive spirit of the score is evident right from the start, where she turns the obsessively repeating five-note runs into insouciant sneers. And Lloyd and conductor... —
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Gardner is very much on his way to Beechamesque status, though with very clear ideas of his own…Gardner keeps the firm rhythmic definition and a certain elegance of phrasing in the great Unfinished... —
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Special offer. Puccini Passions
Mary Plazas (soprano), Cheryl Barker (soprano), Gregory Yurisich (baritone), Stuart Kale (tenor), Paul Charles Clarke (tenor), Jane Eaglen (soprano), Mark Le Brocq (tenor), Peter Wedd (tenor), Peter Sidhom (bass), Dennis O'Neill (tenor), Jean Rigby (mezzo), Cynthia Haymon (soprano), Susan Patterson...
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Special offer. Berg: Wozzeck
Andrew Shore (Wozzeck), Josephine Barstow (Marie), Alan Woodrow (Drum Major), Peter Bronder (Andres), Stuart Kale (Hauptmann), Clive Bayley (Doktor), John Graham-Hall (Narr), Jean Rigby (Margaret)
Susan Singh Choristers, Geoffrey Mitchell Choir, Philharmonia Orchestra, Paul Daniel
This is one of the finest recordings so far in Chandos's 'Opera in English' series, and there's certainly no need to make allowances for the performance because of the language. A Wozzeck to... —
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With so many versions of the Symphony and the Symphonic Variations available, it's surprising that these two favourite orchestral works aren't coupled more often. Here Tortelier adds an attractive... —
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Lortie's technique is not in question...But this music requires more than dedicated technique. When Liszt is in glitter mode...Lortie's sparkling and swarthy playing is impressively glamorous.... —
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Douglas allows the music room to breathe while rendering its structure with clear-sighted rigour…a marvellous account —
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[Wang is] a young player with a formidable technique and grasp of detail vital in this circumstance…Her partners, the BBC Philharmonic, respond in kind under Ben Gernon’s enthusiastic direction.... —