Chandos
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Mahler: Symphony No. 3 & Kindertotenlieder
Linda Finnie (contralto)
Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra Junior Chorus, Royal Scottish National Orchestra, Neeme Jarvi
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Bernstein & Gershwin: Arrangements for Wind Ensemble
Louis Lortie (piano), Harmen de Boer (clarinet)
Netherlands Wind Ensemble, Richard Dufallo
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Swedish a cappella, Vol. 2: Paradiso
Hakan Hagegard (baritone), Leif Aruhn-Solen (tenor), Ulrika Eckstrand (soprano)
Uppsala Academic Chamber Choir, Stefan Parkman
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Gaude, gaude, gaude Maria
Sacred Choral Works by John Sheppard
Choir of St John’s College, Cambridge, Andrew Nethsingha
assured and secure performances, though the trebles noticeably struggle with the sustained demands made on them in the longer pieces. —
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The overall impression of this music, and Corrette’s Concerto comique (1722) in particular, is consistent with light-hearted occasions such as the autumn and spring Paris fairs with which Corrette... —
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many of his works can be counted as exercises...All the pieces on the first of these two discs can be counted as that...Tasmin Little and Piers Lane play them immaculately, with all the care... —
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Elgar: The Apostles, Op. 49
Alison Hargan (soprano), Alfreda Hodgson (contralto), David Rendall (tenor), Bryn Terfel (baritone), Robert Lloyd (bass), Stephen Roberts (bass)
London Symphony Orchestra & Chorus, Richard Hickox
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