Chandos
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His music occupies a strange sort of halfway territory between the late Baroque style and the progressive early Classical mould, and Julian Perkins captures the dichotomy of mid-18th-century... —
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It’s all top-drawer stuff. Not least thanks to the beautifully blended sound of the whole: crisp strings, mellow woodwind, subtle-but-there harpsichord and theorbo and a gorgeous soft-focus... —
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Special offer. Gregson: Music of the Angels
Works for Symphonic Brass and Percussion
London Brass, Rumon Gamba
This magnificent album sweeps through Gregson’s career of writing for symphonic brass, with a plethora of colours and stylistic influences. Glittering sound production to boot. —
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Special offer. Schubert: Symphonies, Vol. 2 – Nos. 2 & 6 & Italian Overtures
City of Birmingham Symphony Orchestra, Edward Gardner
This recording is perhaps more valuable for the two overtures, both written around the same time as the Sixth Symphony, than for the symphonies themselves. Not that Edward Gardner and the CBSO... —
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Special offer. Vaughan Williams: Symphony No. 6 in E minor, etc.
Roderick Williams (baritone)
London Symphony Orchestra, Richard Hickox
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The Toronto-based ARC Ensemble appears to be going from strength to strength in their quest to bring to our attention a whole roster of composers whose careers were unjustly blighted by political... —
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his playing is robust, largescale, symphonic. I can imagine it would carry wonderfully from stage to audience. —
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Francesca Dego and Francesca Leonardi have also been playing together for many years, and their conveyed delight in each other’s musical company is no less infectiously conveyed. —
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It’s hard…to find fault with these performances, which do full justice both to the glittering style of Haydn’s keyboard writing, and to the profundity of a piece such as the great Adagio from... —