Champs Hill Records
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Cellist O’Kane is the star of this disc, sensitive and introspective in The Swan, then animated and robust Saint-Saens Sonata No. 1, in which he and McHale have a more even partnership. — More…
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The Concert ’s vast emotional sweep is conveyed with a natural awareness of the ebb and flow of its intense passions...The Sonata is beautifully played with plenty of character, with delectably... — More…
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The Oculi players’ fastidiousness with dynamics and tonal range held me throughout...Singing tonal nuance and dynamic variety distinguish the two 1940s masterpieces, and it’s amazing how many... — More…
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The playing is undeniably brilliant, yet I missed a sense of searching. And something less showy than Rachmaninov’s arrangement of Kreisler’s Liebesfreud for the encore might have been more... — More…
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Johnson brings to this varied repertoire lyrical beauty, excited squawks and many shades in between. If she makes overall less of an expressive impact than she should, that's partly because... — More…
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Gripping performances by rising star Tamsin Waley-Cohen, who plays every note with commitment, from the ultra-cool of Gershwin to the magical enchantment of Ravel. — More…
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The performances are delivered with impeccable musicianship by the wonderful Lendvai Trio, who seem to be going from strength to strength and clearly relish and enjoy these minor masterpieces…this... — More…
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