Challenge Classics
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These are masterly performances of a formidable assurance...the Polonaise-fantaisie flashes with a ferocious brilliance and there is a nervy rather than opulent approach to the Barcarolle's... — More…
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What emerged [from the Gorecki] was music moulded not from notes but from noise and an artillery of extended playing techniques: no picnic, then, for either players of listeners, but original... — More…
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Castello & Co: Venetian Sonatas for Winds and Strings
Kathryn Cok (harpsichord & organ), Wouter Verschuren (dulcian), Adam Woolf (alto and tenor trombone), Bjarte Eike, Aira Maria Lehtipuu (violin) & Jamie Savan (cornetto and cornetto muto)
The combination of instruments – mainly harpsichord, dulcian and high or low trombone, with violins and cornetts joining in for some works – may sound unpromising but proves varied and spirited.... — More…
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Bach, J S: St Matthew Passion, BWV244
Jorg Durmuller, Ekkehard Abele, Cornelia Samuelis, Bogna Bartosz, Paul Agnew & Klaus Mertens
The Amsterdam Baroque Orchestra & Choir & Boys Choir of the Sacraments Choir, Breda, Ton Koopman
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There is what can only be described as a rightness about [van Zweden's] tempi and the way he connects them through the tension and release of transition. The whole is as spontaneous as it is... — More…
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Nielsen: Violin Concerto
and works by Halvorsen and Svendsen
Lisa Jacobs (violin), Bremer Philharmoniker, Mikhail Agrest
Lisa Jacobs plays with firm tone and admirable technical control in these live performances, and I’m particularly taken with the dark sound she draws from the low register of her 1683 Rugieri. — More…
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