Cedille

there is no hint of unfamiliarity or unease with the distinctive style of French Baroque music. The low pitch gives a wonderfully rich sonority to Barton Pine's violin and Rozendaal's viola... — International Record Review, June 2012 More…

The American Jory Vinikour has an authentic feel for this music … The harpsichord is very well recorded, with a good balance between clarity, tone and ambience. — Choir & Organ, January/February 2021, 4 out of 5 stars More…

Attentive and thoughtful as it is, Rachel Barton Pine's solo Bach is not outstanding. The context-giving rarities are worth exploring though, especially Pisendel's uncanny anticipation of Bachian... — BBC Music Magazine, September 2005, 3 out of 5 stars More…

Indulging in some of his personal favourites, Osorio turns in a confident, clear appraisal of French keyboard classics, from Rameau to Ravel. — BBC Music Magazine, December 2020, 3 out of 5 stars More…

The first words that came to my mind after listening to these lovely miniature pieces were 'modest, unassuming, profound.' ...Grab this CD, because you're not going to have these kinds of venerable... — Fanfare More…

The performers have gone to great lengths to achieve an authentic sound. Rachel Barton Pine plays a late-Renaissance era fiddle rather than a Baroque violin...But what really seizes the ear... — BBC Music Magazine, April 2013, 4 out of 5 stars More…

When musicians of the stature of multiple-Grammy winner Sharon Isbin and the Grammy-winning Pacifica Quartet collaborate, it’s a safe assumption that mastery of such technical niceties as intonation,... — Fanfare, January/February 2020 More…