Carus
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These excellently recorded performances display enormous expertise. Accompanying bass parts are superbly characterised and the continuo group, comprising lute and harpsichord, is always compellingly... —
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Schütz: Symphoniae Sacrae I
Dorothee Mields, Isabel Jantschek, David Erler, Georg Poplutz, Tobias Mathger, Felix Schwandtke, Hans-Christoph Rademann
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Loreley: Volkslieder für Chor
Hannah Gries (soprano), Katharina Schlenker (piano)
figure humaine kammerchor, Denis Rouger
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Heinrich Schütz: Auferstehungshistorie, SWV50
Ludger Remy (organ), Gerlinde Sämann (soprano), Stefan Kunath (alto), Georg Poplutz (tenor), Hille Perl (viola da gamba), Lee Santana (lute), Marie Luise Werneburg (soprano), Isabel Jantschek (soprano), Tobias Mäthger (tenor), Oliver Kaden (tenor), Cenek Svoboda (tenor), Felix Rumpf (bass), Felix...
Austerely beautiful, it works extremely well on disc, not least with performers of this calibre: singing throughout is of the very highest order. —
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Frank Schwemmer: Perlmuttfalter
Contemporary Choral Music for mixed choir a cappella
Athesinus Consort Berlin, Klaus-Martin Bresgott
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Brahms: Geistliche Chormusik
Christopher Bowers-Broadbent (organ), Rosemary Hardy (soprano), Cherith Milburn-Fryer (alto)
Schütz Choir of London, Roger Norrington
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Mozart: Vesperae Solennes De Dominica, Litaniae Lauretanae & Vesperae Solennes De Confessore
Uku Joller (bass-baritone), Kaia Urb (soprano), Ave Moor (alto), Mati Turi (tenor), Tiit Kogerman (tenor), Uku Joller (bass)
Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tonu Kaljuste
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Kraus: Der Tod Jesu
Helene Schneiderman (alto), Ada Gunnars (soprano), Hernan Iturralde (bass)
Stuttgart Philharmonia Choir, Stuttgart Chamber Orchestra, Helmut Wolf
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Mendelssohn: Lieder mit Worten
Songs Without Words arranged for mixed choir and organ by Bernd Stegmann
Stefan Göttelmann (organ)
Berliner Vokalensemble, Bernd Stegmann
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John Hoybye: Freunde, Töne, Götterfunken – A Beethoven Musical for Young People
The Academy Collective 21, Projektchor Ox-Ki-Si, Barbara Comes
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