Avie
-
Haefliger's innate affinity for Beethoven's largely lyrical Op 28 Sonata manifests itself via the pianist's relaxed tempi and ample tone. —
-
Markus Groh's supreme control of the instrument and sensitivity regarding timbre and texture enable him convincingly to stretch the Op 117 No 1 Intermezzo's middle section to its arguable breaking-point.... —
Purchase product
Downloads
Audio formats guide -
Janacek, Shostakovich and Prokofiev: Works for Violin and Piano
Kai Gleusteen (violin), Catherine Ordronneau (piano)
-
Satoh: Birds in Warped Time II
and works by Debussy, Messiaen, Takemitsu and Ravel
Anne Akiko Meyers (violin), Li Jian (piano)
-
Tomkins uses two instruments, both tuned at Baroque pitch: an original English cello from 1798 and a modern copy of a Gofriller five-string for No. 6. The latter's sound is thinner, but more... —
-
Hans Gál & Hans Krasa: Complete String Trios
Ensemble Epomeo: Caroline Chin (violin), David Yang (viola) & Kenneth Woods (cello)
Ensemble Epomeo provide ravishing accounts of both Gal works, fully in sympathy with the idiom...A splendid disc that I cannot get enough of. —
-
Haefliger is impressive in the fugue [of the Hammerklavier], but his opening movement is rather careful, stressing strength at the expense of sweep and momentum...The subtlety of Haefliger's... —
-
Gloriously impassioned first outing on disc for Hans Gal's Concerto —
-
Ben-Pienaar certainly holds his own in these gentle, smiling, quirky pieces...[In the Diabellis] Ben-Pienaar is excellent, though he is less well recorded than he should be —
-
Elena Ruehr: Averno
Marguerite Krull (soprano) & Stephen Salters (baritone)
The Trinity Choir with Novus NY, Julian Wachner
The scoring is a marvel of delicacy and brought to mind the fleeting lightness of John Williams's score for Catch me if you can...Of the two soloists, Stephen Salters gives the more searingly... —
