Avie
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These performances were recorded live at a Queen Elizabeth Hall recital given in 2008. Free from the confines of the studio, Cooper rises to the occasion with performances that show a courageous... — More…
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The performances by soprano Isabel Bayrakdarian and her fellow musicians are wonderfully haunting. — More…
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This is not Annette-Barbara Vogel's first Gál recording...Her new account is more assured still, more relaxed in allowing the music's inner volatility without trying too hard… — More…
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JS Bach: Concertos for Oboe and Oboe d’amore
Gonzalo X. Ruiz (oboe)
Portland Baroque Orchestra, Monica Huggett
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From Jewish Life
Music for cello and orchestra by Bloch, Diamond, Schwarz & Bruch
Jonathan Aasgaard (cello)
Royal Liverpool Philharmonic Orchestra, Gerard Schwarz
Jonathan Aasgaard is principal cellist of the Royal Liverpool Philharmonic and focuses the inwardly musing aspect of Schelomo's narrative virtually to perfection. …an enthusiastic recommendation. — More…
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Courts of Heaven: Music from the Eton Choirbook Vol. 3
The Choir of Christ Church Cathedral, Oxford, Stephen Darlington
Darlington's selection is of such quality that the gap between major and minor figures is rather narrower than I, for one, had supposed...The stamina shown by the trebles is at all times remarkable,... — More…
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Per Monsieur Pisendel
La Serenissima: Adrian Chandler (violin), Gareth Deats (cello), Robert Howarth (harpsichord)
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A. Scarlatti & Handel: Dixit Dominus
Elin Manahan Thomas (soprano), Esther Brazil (mezzo-soprano), Sally Bruce-Payne (mezzo-soprano), Guy Cutting (tenor) & Matthew Brook (bass-baritone)
Choir of The Queen's College, Oxford & The Brook Street Band, Owen Rees
Rees's perceptive direction keeps the contrasting layers balanced and he has assembled a strong solo team- headed up by Elin Manahan Thomas and Matthew Brook - to complement the attentive playing... — More…
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JS & CPE Bach: Sonatas for Viola da Gamba and Harpsichord
Tatty Theo (baroque cello) & Carolyn Gibley (harpsichord)
The Brook Street Band
there is a close match between cello and a harpsichord of cutting transients which fits the businesslike virtuosity of much of the playing. Choice of tempi cannot be faulted and rhythm is exact — More…
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