Avie

Phan's first, swelling note immediately establishes his refinement and steel, rare among Britten's recent tenors...Phan's sophistication is easily matched by harpist Sivan Magen...The tenor... — BBC Music Magazine, January 2013, 4 out of 5 stars More…

Fierce, fiery Bartók that engages from the start and Brahms that has real shape and drive, although I could have done with more yearning passion. — BBC Music Magazine, June 2018, 3 out of 5 stars More…

Joshua Habermann’s excellent ensemble are style chameleons, gamely tackling everything here from traditional Shaker hymns to smoochy gospel arrangements, astringent contemporary classical motets... — Gramophone Magazine, June 2018 More…

Woods directs a highly polished account [of Triptych] but the orchestral playing throughout is most assured. Avie's sound is excellent but it is the music that compels attention. Strongly recommended. — Gramophone Magazine, September 2010 More…

Croisé’s tone is warm and free, while pianist Shevchenko matches him with beautiful fluidity. A joy. — BBC Music Magazine, April 2022, 5 out of 5 stars More…

[Clark's] playing has rapturous firepower...John Wilson's conducting secures ultra-vivid, sparklingly finished performances that also respond memorably to the quieter moments — BBC Music Magazine, March 2012, 4 out of 5 stars More…

The Brook Street Band play with plenty of charismatic brio but there is also affective compassion in reflective music...There are a few mild slips in the documentation but this is a fine addition... — Gramophone Magazine, January 2014 More…

Programmed with real vision and beautifully performed, this is a mesmerising portrait of Old Jerusalem reimagined through sound. — BBC Music Magazine, May 2022, 4 out of 5 stars More…