Wergo

Yun's wiry, compacted lyricism comes across in both the cello-and-accordion Intermezzo and the Pezzo Fantasioso, while echoes of the indigenous music of his native country lend those works a... — The Guardian, 20th May 2010, 3 out of 5 stars More…

this disc is a salutary reminder of the strengths of a composer whose music had begun to be sidelined well before his recent death. We can ill afford to neglect it. — Gramophone Magazine, February 2013 More…

The arresting output of Naomi Pinnock (b1979) has not received much exposure in the UK...That this is music intent on forging its own continuity is confirmed in Words (2011), where the composer’s... — Gramophone Magazine, August 2020 More…

It’s engrossing, discomfiting stuff, a fervid hubbub closer at times to jazz than classical. — The Independent, 4th July 2015 More…

Challenging chamber works by this 61-year-old German explore intervals, rhythm, independent part-writing and the human voice – the Sonar Quartett give committed, exacting performances. — BBC Music Magazine, December 2017, 4 out of 5 stars More…

…Oppens's… account of When Soft Voices Die is richly detailed. In the Brooklyn-Bridge-celebrating title track, Keys to the City, Oppens is joined by the composer in a two-piano reading that... — BBC Music Magazine, March 2009, 4 out of 5 stars More…

By turns both ethereal and then confrontational, the work employs a vast range of tonal and instrumental effects, and the performance here by Daniele Roccato and Massimiliano Pitocco is impressive... — International Record Review, September 2013 More…