Warner Classics
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The three-disc set is a must, not merely because it offers such a broad conspectus of Rachmaninov's music but also because Jansons and the St Petersburg Philharmonic give such masterly accounts... —
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Liszt: Works for Orchestra and Piano
Daniel Barenboim (conductor & piano), Plácido Domingo (tenor)
Berliner Philharmoniker & Chor der Deutschen Staatsoper Berlin, Berliner Philharmoniker & Damenchor des Rundfunkchors Berlin
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Verdi: La forza del destino
Maria Callas, Richard Tucker, Carlo Tagliabue, Nicola Rossi-Lemeni, Elena Nicolai, Renato Capecchi
La Scala Milan Chorus & Orchestra, Tullio Serafin
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Bellini: Norma
Maria Callas, Christa Ludwig, Franco Corelli, Nicola Zaccaria
La Scala Milan Chorus & Orchestra, Tullio Serafin
Norma may be considered the most potent of Bellini's operas, in its subject – the secret love of a Druid priestess for a Roman general – and its musical content. It has some of the most eloquent... —
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Puccini - Il Trittico
Tito Gobbi (Michele), Giacinto Prandelli (Luigi), Piero De Palma (Il Tinca), Plinio Clabassi (Il Talpa), Margaret Mas (Giorgetta), Miriam Pirazzini (La Frugola), Renato Ercolani (Venditore di canzonette), Piero De Palma & Silvia Bertona (Due amanti), Victoria De Los Angeles (Suor Angelica), Fedora...
Only Gianni Schicchi is in stereo, but this remains the most ripely idiomatic set of Puccini's three-parter. —
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Mozart: Idomeneo, K366
Ian Bostridge (Idomeneo), Lorraine Hunt Lieberson (Idamante), Lisa Milne (Ilia), Barbara Frittoli (Elettra), Anthony Rolfe Johnson (Arbace), Paul Charles Clarke (Gran Sacerdote), John Relyea (La Voce di Nettuno), Felicity Hammond, Louise Innes (Due Cretesi), James Gilchrist, Matthew Brook (Due Troiani)
Scottish...
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50 Best Chopin
Stephen Kovacevich (piano), Ingrid Fliter (piano), Dmitri Alexeev (piano), Dinu Lipatti (piano), Daniel Barenboim (piano), Cécile Ousset (piano), Bunin, Stanislav Bunin (piano), Garrick Ohlsson (piano), Nelson Goerner (piano), Daniel Adni (piano), Martha Argerich (piano), Alexis Weissenberg (piano),...
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Rachmaninov's three symphonies reflect three very different phases in his creative development: the first (1895) is a stormy synthesis of contemporary trends in Russian symphonic music, the... —
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Ponchielli: La Gioconda
Maria Callas (La Gioconda), Gianni Poggi (Enzo), Paolo Silveri (Barnaba), Fedora Barbieri (Laura), Giulio Neri (Alvise), Maria Amadini (La Cieca), Piero Poldi (Zuàne), Armando Benzi (Isèpo), Piero Poldi (Un Pilota)
RAI Chorus & Orchestra Turin, Antonino Votto
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