Warner Classics
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Offenbach: Les Contes d'Hoffmann
Nicolai Gedda/Gianna d' Angelo/Jean-Pierre Laffage/Robert Geay/Christiane Gayraud/Jeannine Collard/Elisabeth Schwarzkopf/Victoria de los Angeles/Ernest Blanc/Jean-Christophe Benoit/Nicola Ghiuselev/George London/Michel Sénéchal/Choeurs René, Nicola Ghiuselev (bass), Robert Geay (bass), Jean-Pierre...
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Barbirolli’s famous 1969 version on any count is one of the greatest, most warmly affecting performances ever committed to disc, expansive, yet concentrated in feeling: the Adagietto is very... —
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Big band performances maybe, but Rudolf Kempe finds lightness and pace in the Second Symphony —
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JS Bach: Sacred Cantatas BWV Nos 52 & 54 - 56
Michael Schopper (bass vocals), Paul Esswood (counter-tenor vocals), Seppi Kronwitter (boy soprano), Kurt Equiluz (tenor vocals), Heinz Hennig (director)
Leonhardt-Consort, Hanover Boys' Choir, Gustav Leonhardt
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Brahms: Ein Deutsches Requiem, Op. 45
Elisabeth Schwarzkopf (soprano) & Dietrich Fischer-Dieskau (baritone)
Philharmonia Chorus & Orchestra, Otto Klemperer
Klemperer conveys the work's gravitas like no other, his cause backed by exceptional music-making from the Orchestra and Chorus —
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Thomas Adès: Anthology
Thomas Adès (piano), Susan Bickley (mezzo), Anthony Marwood (violin)
Endellion String Quartet, Arditti Quartet, Birmingham Contemporary Music Group, London Sinfonietta, City of Birmingham Symphony Orchestra, Chamber Orchestra of Europe, Markus Stenz
This two-disc summary of Adès's career avoids some of the more obvious works – nothing from The Tempest, for instance – but manages to include both his youngest work and some recent, hitherto... —
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EMI’s Great Recordings of the Century is exactly what it says: these classic interpretations warrant a place in everybody’s collection —
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