SFS Media
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Berg: Violin Concerto, Seven Early Songs, and Three Pieces for Orchestra
RecommendedGil Shaham (violin), Susanna Phillips (soprano), San Francisco Symphony & Michael Tilson-Thomas
Berg’s shimmering, often Mahlerian soundscapes are lovingly rendered by Tilson Thomas. Shaham brings tonal beauty and power to the sublime Concerto, while Phillips’s voice is radiant in the... — More…
Awards:
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International Classical Music Awards, 2022, Nominated - Assorted Programs
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Grammy Awards, 64th Awards (2022), Nominee - Best Classical Compendium
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American Mavericks
Jeremy Denk (piano), Paul Jacobs (organ)
San Francisco Symphony, Michael Tilson Thomas
This is one of the boldest pieces of programming to have come my way in a long time...Tilson Thomas turns in a superb performance, remarkable as much for the delicacy of the quiet moments as... — More…
Awards:
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Gramophone Magazine, February 2013, Editor's Choice
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Piano Concerto No. 3 & Mass in C
Emanuel Ax (piano), William Burden (tenor), Shenyang (bass-baritone), Ragnar Bohlin (director), Kelley O'Connor (mezzo-soprano), Joélle Harvey (soprano)
San Francisco Symphony, San Francisco Symphony Chorus, Michael Tilson Thomas
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Beethoven: Symphony No. 5 & Piano Concerto No. 4
Emanuel Ax (piano)
San Francisco Symphony, Michael Tilson Thomas
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Haydn: Cello Concerto No. 2 in D Major
Oliver Herbert (cello)
San Francisco Symphony, Michael Tilson Thomas
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Beethoven: Symphony No. 5 & Piano Concerto No. 4
Emanuel Ax (piano)
San Francisco Symphony, Michael Tilson Thomas
Tilson Thomas's interpretation is free of any mannerism, but it is alive in every bar, full of passion, and marvellously played and recorded. A work which can lead to feelings of having been... — More…
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Beethoven: Piano Concerto No. 3 & Mass in C Major
Emanuel Ax (piano), Joélle Harvey (soprano), Kelley O'Connor (mezzo-soprano), William Burden (tenor), Shenyang (bass-baritone)
San Francisco Symphony, San Francisco Symphony Chorus, Michael Tilson Thomas
[Emanuel Ax] is on masterful form for the Third Concerto…his fulsome tone matches the rich, robust orchestral sound, and the tempos invariably feel right…there's pure poetry in the Largo, and... — More…
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