Resonus Classics
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The crisp and rhythmic playing of Tom Winpenny, coupled with a colourful use of the unspoilt Victorian Binns organ (1892) at Queens' College, Cambridge, brings these performances of Stanford's... — More…
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The main connecting thread – one of several – linking the four works in this engaging French recital for alto saxophone is women…Borne’s Carmen Fantasy is pleasant enough and virtuosically delivered.... — More…
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Forgotten Vienna
George Clifford (violin), Dominika Fehér (violin)
The Amadè Players, The Choir of Sidney Sussex College, Cambridge, Nicholas Newland
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Finnish flautist Sami Junnonen and his three string colleagues of Chamber Domaine play them straightforwardly for what they are: clean modern flute technique with not too much vibrato; crisp... — More…
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Unsurprisingly, Scott’s playing is sumptuous and utterly ravishing — More…
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Scott is the leading virtuoso on the natural horn. Here, with Steven Devine, she performs four works by close contemporaries of Beethoven which offer an interesting journey down a music history... — More…
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With voices as sharp and bright as winter sun on snow, Juice Vocal Ensemble’s seasonal album sparkles. There’s a lot of new music to explore here. — More…
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Consumed at a sitting they can sometimes make for an austere listen, despite Farr’s best efforts to ring the changes with artful registrations…That said, Farr’s intellectual rigour is indispensable,... — More…
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The main work on this disc is American composer Gary Davison’s nine-movement Requiem, Missa pro defunctis, set to the full liturgical Latin text of the Roman rite. Throughout, Davison’s colouring... — More…
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