Resonus Classics
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Presteigne Premieres: New Music for String Orchestra
Amy Dickson (saxophone), Prestiegne Festival Orchestra, Rebecca Afonwy-Jones, Katherine Baker, Suzy Willison-Kawalec
Presteigne Festival Orchestra, George Vass
The playing of the Presteigne Festival Orchestra lacks nothing in commitment, directed by Vass with unfussy attention to detail. — More…
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Songs of Elizabeth Maconchy & Ralph Vaughan Williams Volume 2
James Geer (tenor), Ronald Woodley (piano)
whatever the music, the forthright and sympathetic approach of tenor James Geer and pianist Ronald Woodley always makes listening a pleasure. Geer means and feels every word he sings...Through... — More…
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The Dudok Quartet’s gift is to hear Ligeti in Ligeti even when he couldn’t hear it in himself...The First Quartet is Tom and Jerry in black and white, the Second is their Technicolor reincarnation,... — More…
Awards:
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Gramophone Magazine, November 2015, Editor's Choice
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All in all, this is a rewarding release of utterly idiosyncratic music, eloquently played and cleanly recorded. — More…
Awards:
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The Guardian Classical Albums of the Year, 2021
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The Dawn of Grace
Christmas Works by Women Composers
Luca Morgante
Somerville College Choir, Oxford, Will Dawes
Innovatively programmed, and sung with an uplifting freshness and alacrity, this is simply irresistible. — More…
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BBC Music Magazine, Christmas 2022, Christmas Choice
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The London-based chamber choir Sonoro was founded just two years ago, yet has already developed a strong individual identity. It is immediately evident in the brightly rhythmic account of Malcolm... — More…
Awards:
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BBC Music Magazine, Christmas 2018, Christmas Choice
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The choir’s tonal purity and impeccable tuning are a pleasure, bringing plangency and repose to Philip Stopford’s ‘Lullay, my liking’, and a welling splendour to Philip Wilby’s ‘Moonless darkness... — More…
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Duruflé & Howells: Requiems
Kirsten Sollek (mezzo), Richard Lippold (baritone), Frederick Teardo (organ)
Myron Lutzke (cello)
Saint Thomas Choir of Men and Boys, Fifth Avenue, New York, John Scott
This release of two gems of the choral repertoire, sung with both passion and poise, makes an ideal memorial to conductor John Scott, who died in post in 2015. — More…
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[Smith’s] thoughtful, sympathetic performances discern the unique qualities of each [piece]…it is a compelling reading with a firm point of view [and his] strong, clear sound is superbly captured... — More…
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