Piano Classics
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Handel’s masterful suites shine in this well-articulated, controlled performance. I could have done with a little more crispness, and a greater distance between piano and mic. — More…
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Chochieva's approach to the Etudes is sensitive and understated. Her prevailing lyricism is especially appealing in such pieces as Op 33 No 2…one hopes that Chochieva will continue to play Rachmaninov,... — More…
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[Codispoti] plays with a warmth and fervour worthy of Cortot himself. His sonority, too, has an Arrau-like fullness and richness...All this and more is enough to make you fall in love all over... — More…
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His Petrushka is novel and exploratory, leaving you with a sharp sense of the original ballet, its alternating exultance and despair, rather than mere virtuoso glory. Nothing is played for obvious... — More…
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Less contained than Pollini and more attuned to Horowitz's flamboyance, his performance captures all of Schumann's teeming imagination...Above all, Maltempo's well-recorded performances have... — More…
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Rutkowski’s performances are remarkable. He studied recordings by pianists directly in line to Chopin (Koczalski and Rosenthal, both students of Mikuli); the surprising glissando that concludes... — More…
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