Browse: PHI (label)
This page lists all recordings from the label PHI.
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Offer,
Bach: Ich elender Mensch - Leipzig Cantatas Damien Guillon (alto), Thomas Hobbs (tenor), Dorothee Mields (soprano), Peter Kooij (bass), Kristen Witmer (soprano)
Collegium Vocale Gent, Collegium Vocale Gent Orchestra, Philippe Herreweghe
Herreweghe is highly expressive, emphasising, for instance, the opening phrasing of BWV48, a violin figure reated three times then expanded, to complete its gentle, pleading statement. Excellent... — More…
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Over 30 years later, Herreweghe’s radical rethinking yields shaded flexibility and kaleidoscopic dynamism...One never senses a dictating ego controlling proceedings; there is a spirit of collective... — More…
Awards:
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Gramophone Magazine, October 2018, Editor's Choice
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Gramophone Awards, 2019, Finalist - Choral
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Dvořák: Stabat Mater, Op. 58
Ilse Eerens (soprano), Michaela Selinger (alto), Maximilian Schmitt (tenor) & Florian Boesch (bass)
Collegium Vocale Gent - Royal Flemish Philharmonic, Philippe Herreweghe
Herreweghe's tempo in the epic first movement is relatively brisk, which makes its central section seem slightly rushed. Pity, since the soloists are excellent and the choral sound is nicely... — More…
Awards:
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Gramophone Magazine, July 2013, Disc of the Month
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Gramophone Awards, 2014, Shortlisted - Choral
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Dvorak: Stabat Mater - Vinyl Edition
Antwerp Symphony Orchestra & Collegium Vocale Gent, Philippe Herreweghe
2 Vinyl Records
$36.25Downloads
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These are not performances that fall over themselves with an excess of enthusiasm and energ y, but rather convey a mature and graceful stateliness – yet there’s no shortage of joy. — More…
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Brahms: Symphony No. 4, Alto Rhapsody & Schicksalslied
Ann Hallenberg (mezzo)
Orchestre des Champs-Élysées, Collegium Vocale Gent, Philippe Herreweghe
this strikes afresh. The sound is crystal clear, the playing sings, dynamic contrasts stand out (just before the first movement’s recap, the sudden stillness is magical). Never has his woodwind... — More…
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The 13 voices are as finely balanced and harmonious as you could wish, and throughout the recording there is immaculate tuning and exceptional attention to detail. The sense of architecture in... — More…
Awards:
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Gramophone Magazine, November 2012, Editor's Choice
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These energising accounts of Schumann’s (officially) second and fourth symphonies are beautifully judged: Philippe Herreweghe’s conducing treads a fine line that draws forth most of what’s best... — More…
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JS Bach: Ach süßer Trost!
Leipzig Cantatas
Hana Blažiková (soprano), Damien Guillon (alto), Thomas Hobbs (tenor), Peter Kooij (bass)
Collegium Vocale Gent, Philippe Herreweghe
the choral sound is lean and alert, helped by lively tempos. Its near-solo tone, though, mingles rather than contrasts with the similar-scaled orchestra...Of the soloists, Thomas Hobbs is outstandingly... — More…
Awards:
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Gramophone Magazine, February 2013, Editor's Choice
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The one-voice-to-a-part lobby doesn't wholly convince Herreweghe; he approaches the instrumentation of each motet on a case-by-case basis, cornetto and trombones lending grandeur to a finely... — More…
Awards:
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Presto Recording of the Week, 4th July 2011
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