Pan Classics
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L'Arte dei Piffari
Cornetts and Sackbuts in Early Baroque Italy
William Dongois, Stefan Legée & Franck Poitrineau
Ensemble Ventosum
This anthology constructs a narrative through Italian music ranging acoross more than a century, from about 1580 to 1700, and most of the pieces are transcriptions taken from short sacred polyphony... —
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Fritz, Gasparo: Violin Sonatas Op. 3, Nos. 1-5
Plamena Nikitassova (violin, Sebastian Klotz, Mittenwald, first half of 18th century, with special thanks to family Vischer, Geneva), Maya Amrein (cello, end of 18th century), Jörg-Andreas Bötticher (harpsichord, Christian Zell, Hamburg 1728, replica by Bruce Kennedy, Château d‘OEx 1989)
[Nikitassova] plays Fritz's cosmopolitan, often virtuosic works with elegance and brilliance, ornamenting imaginatively...all three artists use delightful-sounding period instruments. Pan's... —
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A thoroughly enjoyable exploration of some ravishing and little-known repertoire from the rich collections of the equally ravishing City of Evora… performances are exemplary – as a group, the... —
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Giuseppe Giordani: Lamentazioni & Miserere
Il Terzo Suono: Marinella Pennicchi (soprano), Jeffrey Gall (countertenor), Gian Paolo Fagotto (tenor), Furio Zanasi (bass) & Massimiliano Raschietti (organ)
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Lute Music
from Ottaviano Petrucci’s Collections (Venice 1507 & 1508)
Paolo Cherici (lute & vihuela)
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Schein: Musica boscareccia
Wald-Liederlein auf Italian-Villanellische Invention (1621, 1626, 1628)
United Continuo Ensemble
rich, confident continuo playing … the music swirls around them in a mesmeric inventive and usually utterly charming fashion. It’s given me a lot of pleasure this week. —
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Lyrisches Intermezzo - Lieder With Clarinet and Piano
Laura Ruiz Ferreres (clarinet), Christoph Berner (piano), Werner Güra (soprano)
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Johann Joseph Fux: Operas & Oratorios For the Viennese Court
Maria Ladurner (soprano), Biber Consort
The soprano Maria Ladurner gives sensitive and pleasing accounts of the arias. The voice is fresh and youthfulsounding, and it must frequently come close to the sweetness so admired in the 18th... —
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