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Offer, Vaughan Williams & James Macmillan: Oboe Concertos
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Nicholas Daniel (oboe & conductor), Nicholas Daniel (oboe), Nicholas Daniel (cor anglais)
Britten Sinfonia, James MacMillan
[Daniel] tends to let the tempo slacken when the harmonic pulse slows down [on the Vaughan Williams]...it's hard to complain when that leaves more space for his consistently golden tone...MacMillan... — More…
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…the superb singers of Stile Antico are up to the challenge of presenting all the required moods from pious restraint… to melting abandon… a magnificent display of the very best kind of polyphonic... — More…
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The most striking feature of these performances is how wonderfully varied they are. In some pieces… the presentational style almost enters the realm of musical theatre, while in Tallis's God... — More…
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Stile Antico brings experience and a steady technique to these pieces…in the joyous opening motet ‘Gaudete in Domino’ they are fresh and exuberant…[and] their ‘Quiescat vox’ is beautiful as is... — More…
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Bach, J S: Goldberg Variations, BWV988
Britten Sinfonia, Thomas Gould
So bold are Glenn Gould's fingerprints on the score, not just in the intricate decorations but also the colours, the phrasing, the idiosyncratic articulation, that it is more an arrangement of... — More…
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The expertise of the Stile Antico group in this repertory is not in doubt and, as always, these singers give us splendid performances. Gibbon's O Clap Your Hand, for example, has a sure-footed... — More…
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Offer, Vaughan Williams: On Wenlock Edge & Ten Blake Songs
Mark Padmore (tenor), Nicholas Daniel (oboe), Nicholas Daniel (cor anglais)
Britten Sinfonia (members), Huw Watkins (piano), Jacqueline Shave
Edge, rather than lyrical elegance, is Mark Padmore's expressive strength, combined with his superb diction...I've never heard [the Blake Songs] come across so convincingly...Lavish praise too... — More…
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Scattered Rhymes
Estonian Philharmonic Chamber Choir, Orlando Consort, Paul Hillier (director)
This collection has been programmed with considerable care. Machaut's glorious Messe de Nostre Dame forms its centre, both in terms of its musical substance and its famously provocative rhythmic... — More…
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a varied treasure trove of seldom heard but extremely affecting music, nicely sung and spliced together with some darkly-glittering string In Nomines played by Fretwork...[They] easily persuade... — More…
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Conductorless Stile Antico may be, but they could never be accused of lacking direction or clear-sighted commitment to the works on this generously-filled album...The approach encourages long-range... — More…