Browse: SACD, Scarlatti, A (composer)
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Remembering Tebaldi
Melody Moore (soprano), Transylvania State Philharmonic Orchestra, Lawrence Foster
Does Moore sound like Tebaldi? Not exactly: a track-by-track comparison reveals subtle differences in timbre and interpretation. But this is an act of homage, not impersonation, and Tebaldi’s... — More…
Awards:
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Castrapolis: Neapolitan Cantatas and Arias
Nicolò Balducci (counter-tenor), Anna Paradiso (harpsichord), Dolci Affetti, Dan Laurin, Dohyo Sol (baroque guitar)
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Pergolesi & Scarlatti: Stabat mater
Susanne Rydén (soprano) & Mikael Bellini (countertenor)
Members of the Stockholm Baroque Orchestra, Maria Lindal
Susanne Rydén has a wonderfully pure but sensual voice and a fine declamatory manner. — More…
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Francesca Aspromonte: Prologue
Music by Monteverdi, Caccini, Cavalli, Stradella & Scarlatti
Francesca Aspromonte (soprano)
Il pomo d’oro, Enrico Onofri
Aspromonte’s diamantine timbre, rich, expressive palette and outstanding care for words make her an ideal mistress of ceremonies. — More…
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Gabrieli & A Scarlatti: Complete Cello Works
Guadalupe López-Iñiguez, Markku Luolajan-Mikkola (baroque cellos), Olli Hyyrynen (baroque guitar), Lauri Honkavirta (harpsichord)
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Accademia Bizantina offers lively, crisply articulated performances with fugal movements benefiting from lucid textures. Dance movements, too, come off well with pleasing rhythmic definition. — More…
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