Jérémie Rhorer

This classy performance [of the Reber] makes an engaging case for an unremarkable work...Chamayou's way with Liszt's First Concerto, too, is worth the wait. His choice of period piano, besides... — BBC Music Magazine, Christmas 2012, 4 out of 5 stars More…

You can tell so much about the performance to come from the violin’s first entry: Christian’s is free, reflective and rich-toned on the right notes. The runs flow beautifully, the dialogues... — BBC Music Magazine, October 2021, 4 out of 5 stars More…

Chamayou plays a magnificent-sounding 1837 Erard piano, in what is apparently the first period-instrument recording of the work. His performance has dash and devilment, the orchestral playing... — The Guardian, 26th July 2012, 4 out of 5 stars More…

Rhorer's textures are skull-crackingly hard coated and rhythmically assertive: the tempo change in the first movement, Adagio to Allegro, jolts the music out of its comfort zone, while the second... — Classic FM Magazine, November 2011, 5 out of 5 stars More…