Studio der Frühen Musik
Formed: 1960
Studio der frühen Musik was an early music group active from 1960–1980 and based in Munich.
The leader of the group was Thomas Binkley, and the activity of the group coincided with the years he was teaching at the Schola Cantorum Basiliensis. Core members of the group were Binkley (lute), Sterling Jones (vielle), and Andrea von Ramm (mezzo-soprano, rebec, hurdy-gurdy and harp), who had previously organised an earlier Studio der Frühen Musik in Cologne. To these three members were added a male singer; first the tenors Nigel Rogers 1960-1964, then Willard Cobb 1964-1970, and Richard Levitt (counter-tenor) 1970-1979. The activity of the group ceased when Binkley returned to America to found the Early Music Institute at Bloomington, Indiana in 1979.
Read more at https://en.wikipedia.org/wiki/Studio_der_frühen_Musik
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Special offer. Adieu m'amour. Chansons et motets de Guillaume Dufay
Studio der Frühen Musik, Thomas Binkley
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Special offer. Music at the time of the Crusades
Jean Bollery/Studio der Frühen Musik/Thomas Binkley, Thomas Binkley (director), Robert Eliscu (schalmei), Thomas Binkley (lute), Caroline Bergius (schalmei), Sterling Jones (lyra), Andrea Von Ramm (mezzo-soprano vocals), Andrea Von Ramm (harp), Jean Bollery (announcer), Lucy Craig (soprano vocals), Richard Levitt (counter-tenor vocals), Willard Cobb (tenor vocals), Sterling Jones (fiddle), Studio der Frühen Musik/Thomas Binkley, Andrea Von Ramm (soprano vocals), Richard Levitt (flute), Hespèrion XX/Montserrat Figueras/Jordi Savall, Jordi Savall (director), Montserrat Figueras (voices), David Munrow (director), Dominique Vellard (tenor vocals), Gerd Türk (tenor vocals), Brigitte Lesne (mezzo-soprano vocals), Lena-Susanne Norin (mezzo-soprano vocals), Anne-Marie Lablaude (soprano vocals), Dominique Vellard (director), Jonathan Rubin (lute), Hopkinson Smith (lute), Jay Bernfeld (fiddle), Sally Smith (psaltery), Paul O'Dette (lute), Richard Glenn (lute), Sterling Jones (rebec), Richard Levitt (percussion), Thomas Binkley (flute), Anne Smith (flute), Alice Robbins (fiddle), Catherine Lidell (psaltery), Sterling Jones (strings), Monks And Choir Boys Of Downside Abbey, Greg Hacket (recorder), Tim Summerhayes (recorder), David Lawson (director), Dom Dunstan O'Keeffe (director), Michel Piguet/Ricercare-Ensemblefür Alte Music Zürich, Anthony Bailes (lute), Françoise Stein (harp), Michel Piguet (oboe), Christopher Schmidt (rebec), Kurt Huber (tenor vocals), Wally Staempfli (soprano vocals), Fritz Näf (tenor vocals), Michel Piguet (schalmei), Jordi Savall (fiddle), Hilliard Ensemble/Paul Hillier, The Hilliard Ensemble (vocal ensemble), Pierre Hamon (flute), Pierre Hamon (drums), Pierre Hamon (bagpipes), Pierre Hamon (recorder), Emmanuel Bonnardot (vihuela), Brigitte Lesne (harp), Brigitte Lesne (psaltery), Emmanuel Bonnardot (cittern), Brigitte Lesne (tambourine), Emmanuel Bonnardot (rebec), Gérard Lesne/Ensemble Alla Francesca, Martin Best/Geoffrey Mitchell Choir, Martin Best (psaltery), Martin Best (lute), Martin Best (voices), Randall Cook (fiddle) Studio der Frühen Musik, Studio Der Fruehen Musik, Hespèrion XX, Early Music Consort Of London, Wulf Arlt, Ensemble Gilles Binchois, Teilnehmer Der Schola Cantorum Basiliensis, Ricercare-Ensemblefür Alte Music Zürich, Paul Hillier
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New. Florid Song and Consort Music - Vocal and Instrumental Music in England, 1610 - 1660
Andrea von Ramm (mezzo-soprano), Grayston Burgess (countertenor), Karlheinz Klein (baritone), Sterling Jones (viol), Nigel Rogers (tenor), Willard Cobb (tenor), Viktor Lukas (organ), Don Smithers (cornet), Franz Eder (trombone), Thomas Binkley (lute), Studio der Frühen Musik, Concentus musicus Wien
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Studio der Frühen Musik (early music ensemble), Thomas Binkley, Nigel Rogers, Andrea von Ramm
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