Browse: University of Georgia Press (publisher)

If there's a book which should make you want to write about (and think about) how you came to music and what you tried to use it for, this is it — Pitchfork More…

In making sound central to his argument that the culture of segregation was far from a natural phenomenon, the author makes apparent the prominent role that music should play in any effort to... — Journal of American History More…

This book shows its editor in the roles of interviewer, interpreter of social-scientific data, annotator, discographer, and artist; he plays them all with great success. From the beginning of... — Ethnomusicology (Journal) More…

[Hamelman] uses his harrowing muscle of musical knowledge to survey how trash is applied and embedded in rock music. . . . Hamelman keeps the boring academics in check and the writing alive,... — Magnet Magazine More…